Violence: A World
Historian’s Perspective
CHSTU213 History of Violence
Autumn 2005
Professor Jeffrey Burds
269 Holmes Hall
(617) 373-2079
Monday, Wednesday,
Thursday
Office Hours: Wednesdays, Thursdays
Course Description
An intellectual quest is about unencumbered inquiry--the interrelationship between method and sources, the use of the mind to ferret out ideas. The Random House Dictionary definition is relevant here:
quest: n.
1. a search or pursuit made in order to find
or obtain
something.
2. an adventurous expedition, as by knights
in
medieval romances.
v.i.
3. to search; seek: to quest after hidden
treasure.
4. to go on a quest.
v.t.
5. to search or seek for; pursue.
[1275-1325; ME queste < OF < L quaesita, fem. ptp.
of quaerere
to seek]
Beginning the course with virtually no knowledge or experience of advanced historical research or methods, new students in the History Major will sojourn through a mixture of primary and secondary readings to discover the challenges and delights of historical research.
Students
will write two drafts of a semester paper (or at least two versions of a
semester project) and make at least one oral presentation. The papers or
projects will analyze research performed by individual students, under the
strict guidance of the seminar instructor. Students may integrate materials
read and discussed in class, though students are also expected to bring into
the course a substantial body of outside reading and research. Papers will be
at least 10-12 typed, double-spaced pages in length, though semester projects
may be prepared in another format (video presentation, WEB project, creative
writing or performance, etc. to be negotiated with the instructor). I expect
these projects to represent your best work. All papers in the course should
conform to the History
Style Guide, and all written work should be checked closely for
spelling and grammatical errors. Sloppy work will receive at least one full
grade reduction.
Attendance
Regular attendance and informed, active participation are required parts of this course.
Surprise
quizzes
To encourage students to keep up with the reading, I will offer at least six “surprise quizzes” during the quarter, generally corresponding with the major readings in the course. Students are obligated to take all six quizzes, which will account for twenty percent of the final grade (i.e., the equivalent of two letter grades). Any student who fails to pass any quiz will be required to write a three-to-five page take-home paper on the quiz question, due within one week of the quiz date. No student who does not have a passing grade on all quizzes (or makeup papers) will pass this course. The point? Keep up with the reading in this course.
Final
Project
Students will conduct individual
research projects under the guidance of the seminar instructor. Any theme which
falls under the general rubric of the history of hate crime or violence is
appropriate. Preliminary topic statements are due in class on September 29.
Bibliographies are due in class on October 17. All students must meet with
Professor Burds one-on-one at least twice in the
semester. First drafts of papers/projects are due in my office by
Grades
The challenge is to engage course material in a diligent way. Any student who works hard will do well in this course.
Regular class attendance and informed participation 30 percent
Surprise quizzes (5 of 6) 20 percent
Project presentations 20 percent
Final Projects 30 percent
Books
-Jack Henry Abbott, In the Belly of the Beast: Letters from Prison (New York: Vintage Books, 1991).
-Beverly Allen, Rape Warfare:
The Hidden Genocide in Bosnia-Herzegovina and
-Karen Halttunen, Murder Most Foul: The Killer and the American Gothic Imagination (Cambridge: Harvard University Press, 1998).
-Judith Herman, M.D. Trauma and Recovery The Aftermath of Violence--from Domestic Abuse to Political Terror (New York: Basic Books, 1992, 1997).
-Deborah Navas, Murdered By His Wife: An Absorbing Tale of Crime and
Punishment in
-Jacobo Timerman, Prisoner without a name, Cell without a number (New York: Vintage Books, 1988). [OUT OF PRINT--try ABE.COM or use internet version linked to syllabus]
Week 1 Introduction
Wednesday 9/6 Introduction to the course.
Violence as a social construct.
READ (in class): Jeffrey S. Adler and Thomas W. Gallant, “What Do Historians Have to Say About Violence?” The Harry Frank Guggenheim Review Volume 4, Number 1 (Spring 2000), pp. 45-51.
Thursday 9/7 Inquisitions: The Age of Religious Torture
See documentary film, Inquisition
[History Channel, 1999, 120 minutes (History’s Mysteries)]
BEGIN
Week 2
Monday 9/11 Inquisitions, Part Two
See second half of documentary film, Inquisition [History Channel, 1999, 120 minutes (History’s Mysteries)]
Wednesday 9/13 IN THE NAME OF GOD
Institutionalized Anathematization: Patterns of Terror in the Inquisition
Samples of
Work in previous Quarters
Autumn 1999
Project - Jared McBride: Torture in Early Modern
Autumn 1999
WEB-page Project of Adam Ellsworth:
Winter 2000
WEB-page Project of Adam Ellsworth & Kevin Voyvodich:
Stalingrad [Eastern Front in World War II]
Related Sites
Anupama Rao, “Problems of Violence, States of Terror: Torture, Suffering, and Colonial Incarceration.”
Conference
Papers: Investigating and Combating Torture: Explorations of a New Human
Rights Paradigm, The
University of Chicago Human Rights Program, 4-7 March 1999
Thursday 9/14 The Witch Craze: Patterns of Organized
Misogyny
HANDOUT: Selections from Witchcraft Trial Transcripts
Related Sites
Malleus Maleficarum (1486) [The Witch Hammer]of Heinrich Kramer and James Sprenger Unabridged online version of the Inquisitor’s handbook
Week 3 Violence as Pornography & Art
Monday 9/18 Lab 1 Research Methods
Wednesday 9/20 Forbidden Knowledge
HANDOUT: The Legend of Doctor Faustus
For Further Information:
See an on-line museum tour at
Banned Cartoons--Between
1928 and 1950,
The Censored Cartoons Page A guide to the cuts and edits which have been rendered to the classic cartoons of when broadcast on television. Gags that are deemed inappropriate for children, racist, violent, etc. are simply edited out of the cartoons. Here is a guide to these "lost" moments.
For a partial
list of banned cartoons and Public
Domain Cartoons Online
Thursday 9/21 The Sensual Art of Violent Storytelling
FOR DISCUSSION
HANDOUT: Selections from Little Red Riding Hood
Edgar Allen Poe, The Cask of Amontillado
Edgar Allen Poe, The Pit and the Pendulum
DISCUSSION: Bondage: Torture as Pornography
See Also
Edgar Allen Poe’s Virtual Library
Atrocity
Exhibitions: The Darker Side of Photography
Paula S. Fass, Kidnapped: Child
Abduction in
Catherine Orenstein, Little Red
Riding Hood Uncloaked: Sex, Morality, and the Evolution of a Fairy Tale (
ASSIGNMENT FOR THURSDAY: Find and study three sites on violence on the World Wide Web. Be imaginative! The goal is not so much to find intellectual discussions of violence, but rather sites prepared by individuals or groups celebrating or advocating violence. Bring in a printed copy of a page from each site.
Week 4 A Popular Culture of Violence?
Monday 9/25: Library Tour
Wednesday
9/27 Murder in
Colonial
Deborah Navas, Murdered By His
Wife: An Absorbing Tale of Crime and Punishment in Eighteenth-Century
Thursday 9/28 The Harvard
Murder
One-page paper topic statements are due in class.
A Popular
Culture of Violent Crime? Investigate the relationship between
comic books and violent juvenile crime
Week 5 Popular Cultures of Violence
Monday 10/2 Lab 2 What Social
Scientists Have to Say about Lynching
Wednesday 10/4
DISCUSSION: Murder Most Foul
Thursday 10/5 No class
Walking Tour: Harvard Murder [Students will
receive guides, and are expected to complete the two-
hour walk on their own]
Week 6 Lynch Law
Monday 10/9 Columbus Day. No Class. University closed.
Wednesday 10/11 The Sociology of Lynching in
HANDOUT:
Lynching in
HANDOUT: FESTIVALS OF VIOLENCE: The Causes of Lynching (Socio-Economic Patterns)
Neil Evans,
"Red Summers 1917-19," History Today Volume 51, Number 2 (February
2001): 28-33.
Betty Lapucia, "Migration North to
the Promised Land," Background on the
African-American northern migration provided by the Yale-New Haven Teachers
Institute.
Maurio Mazón, “The Symbols, Imagery, and Rhetoric of the [Zoot-Suit] Riots,” in The Zoot-Suit Riots: The Psychology of Symbolic Annihilation (Austin: University of Texas Press, 1992), pp. 78-94.
Leon F. Litwack, Been in the Storm So Long: The Aftermath of Slavery (New York: Random House, 1980).
Eugene D. Genovese, The World the Slaveholders Made
Related WEBsites
Black History Pages on
Lynching in America
Thursday 10/12 No class
Week 7 Perpetrators
Monday 10/16 Lab 3 Problems with
Aggregate Data: A Postwar Soviet Crime Wave?
Short
typed bibliographies of one to three pages are due for semester project.
Wednesday 10/18
Hitler’s Willing Executioners’: the challenges of investigating a mass
hate crime
For this class, please review in advance the online
exhibition:
The
Undeniable Holocaust: A Pictorial Archive of Nazi Depravity
HANDOUT: Perspectives on the Holocaust: Alternative Paradigms
HANDOUT: Soviet
Atrocities
HANDOUT: “Picture
of the Week” from LIFE Magazine, 22 May 1944
Related
Complete on-line text of Protocols of the Elders
of Zion, a forgery allegedly documenting the world Jewish conspiracy
prepared by a Russian Orthodox monk--Nilus--in 1905.
This text is the most notorious piece of hate literature in the 20th century,
an inspiration to countless generations of anti-Semitic groups.
". . . To what extent the whole existence of this people is based on a continuous lie is shown incomparably by the Protocols of the Wise Men of Zion, so infinitely hated by the Jews. They are based on a forgery, the Frankfurter Zeitung moans and screams once every week: the best proof that they are authentic. What many Jews may do unconsciously is here consciously exposed. And that is what matters. It is completely indifferent from what Jewish brain these disclosures originate; the important thing is that with positively terrifying certainty they reveal the nature and activity of the Jewish people and expose their inner contexts as well as their ultimate final aims. The best criticism applied to them, however, is reality. Anyone who examines the historical development of the last hundred years from the standpoint of this book will at once understand the screaming of the Jewish press. For once this book has become the common property of a people, the Jewish menace may be considered as broken."
Thursday 10/19 The Psychology of the Perpetrator
READ
David Chandler, “Documenting Torture in Pol Pot’s Secret Prison.”
Lori A. Allen, “Why Position Abuse? How Israeli Torture of Palestinians Makes Sense”
John
Conroy, “A Profile of Two Torturers”
Christopher
Browning, Ordinary Men: Reserve Battalion
101 and the Final Solution in Poland
Dith Pran, Children of Cambodia’s Killing Fields
Ervin
Staub, The Roots
of Evil: The Origins of Genocide and Other Group Violence
Century
of Genocide: Eyewitness Accounts and Critical Views, Samuel Totten,
ed.
WEB
Genocide Documentation Centre: Internet Resources on Genocide & Mass
Killings
Monday
10/23 No Class. Wednesday
10/25 The Mind of the Murderer Background on Hate Groups in America Sergei Nechaev, The Revolutionary
Catechism
(Russia, 1869) Carlos Marighella, Minimanual of the Urban
Guerrilla
(Brazil, 1969) The Militia of Montana Online Information Center Thursday
10/26 FILM: Blood in the
Face (1991) Monday 10/30 Lab 4 Powerpoint Wednesday 11/1 A Short History of Torture Darius Rejali, “Electric Torture: A Global History of a Torture Technology” Thursday 11/2
Experiencing the Victim Mulk Raj Anand, et. al. Untouchable
(20th-Century Classics) (New York:
Penguin, 1990). Marguerite Feitlowitz, A Lexicon of Terror:
Argentina and the Legacies of Torture Marguerite
Guzman Bouvard, Revolutionizing
Motherhood: The Mothers of the Plaza De Mayo
Leigh A. Payne, "Confessions of
Torturers: Reflections from Argentina" 60 Minutes program, “Tales from the Dirty War,”
2 April 1995. Monday 11/6 No class Wednesday 11/8 Lecture:
Introduction to the Study of Gender Violence Thursday 11/9 DISCUSSION: Rape as
a Tactical Weapon The Rape of Nanjing: A Photo Essay (WARNING:
Explicit gender violence is displayed) Russians in Chechnya: The Budanov Rape Trial Week 11 Healing Violence: Reconciliation? Monday 11/13 Legacies of Violence:
Healing a Society Documentary
Film: “Forgive But Not Forget” CBS Sixty Minutes [16 February 1997] Wednesday
11/15 Legacies of Violence: Healing an Individual Truth & Reconciliation Commission: South Africa Report to
President Nelson Mandela on 29 October 1998. The Science
of Investigating Violence: Forensic Evidence Thursday 11/16 Channels of Dissemination: Violent
Cultures HANDOUT: Extracts from the CIA/KGB’s
“Torture Manuals”, University of the Americas First drafts of semester
papers/projects are due in class on Thursday 11/17. No
exceptions. Monday 11/20 No class Thursday 11/23 Thanksgiving Recess Monday 11/27 GROUP 1 Semester Project Presentations
& Discussions Wednesday 11/29 GROUP 2 Semester Project Presentations &
Discussions Thursday 11/30 GROUP 3 Semester Project Presentations
& Discussions Monday 12/4 GROUP 4 Semester Project Presentations
& Discussions Wednesday 12/6 GROUP 5 Semester Project Presentations
& Discussions Thursday
12/7: Revised semester projects due in 269 Holmes by 3:30 p.m. Finals week is December 8-15. There
is no final exam in this class.
Related
See
for yourself

”Hairy Monster”--A Bosnian Muslim Child Remembers His
Mother’s Rape (1993)